—>84/365: eXistenZ, 1999, dir. David Cronenberg

—>82/365: The Great Gatsby, 2013, dir. Baz Luhrmann

—>81/365: The Alley Cats, 1966, dir. Radley Metzger

—>80/365: Outrage, 2009, dir. Kirby Dick

—>79/365: The Future, 2011, dir. Miranda July

—>78/365: First Position, 2011, dir. Bess Kargman

—>77/365: Iron Man 3, 2013, dir. Shane Black

cwnerd12:

I’ve been tumbling historical dresses for so long that it’s gotten to the point that I can’t watch historically-set movies with inaccurate costumes. I have to look at each costume and pick out every little detail they get wrong and eventually I can’t tell you what happened in the…

likestepsonthemoon:

Pacific Rim Jaeger Blueprints

USA - Gipsy Danger
Russia - Cherno Alpha
Australia - Striker Eureka
Japan - Coyote Tango
China - Crimson Typhoon

americangothgirl:

victoriadisaster:

kambriel:

Intriguing for those who enjoy (& sometimes copy) the iconic “Bride of Frankestein” look ~ Elsa’s wig was actually on an auburn hair base, not black.

With black & white films, people often forget all of the colours that were actually in use on set, since pure black & white read so harshly on film.  I remember carefully studying the Dracula Bride outfits from the 1931 film way back when I was creating my first Dracula’s Bride Gown, and realized that the originals were quite likely made in pastels to give that pale, but subtle depth.

I rather adore that the original wig is red w/streaks ~ make it a little more burgundy, and it would have been the way I dyed my own hair with silver streaks back in 12th grade.

Learn something new every day!

Wonderful!